Workmanship

Introduction: Initially an analysis of the literary production becomes necessary on the optics of the woman. Since the decade of 60 it has a search for discovering and divulging the tradition of feminine writing, to reevaluate the image of the woman in literature and to value the experiences of this of the individual and collective point of view. For in such a way it appears to the critical feminist who understands literature with the intention of counterpoint to the cultural tradition and part of the beginning of that a compensation is necessary, that balances the place of the masculine and the feminine one in literary history. Such critical one is understood more as revision, of what critical method. One of the basic points for this boarding is the differentiation between sex and sort. Second (BLOND, 1997) the sort is not understood as absolute primordial identity, but as culturally acquired data, that follow the changes of the proper culture. This critical position drift of the reflexiva conscience of women who had dared if to detach in more distant centuries. History sample that is of long date that they come if submitting to occupy places predetermined for the men.

From the movement feminist the women had started to say what they are in a process of redescoberta, reevaluation and continuous and intemporal construction. She had a rescue and the valuation of the feminine look on the masculine description-literary tradition. Such ranks allow to say that the critical feminist brings the questioning concerning the construction of great texts of the culture occidental person for having been written for men and to present a vision of the world from a masculine point of view. Studies on this subject demonstrate that appraised texts most of the time present the woman-as-object or to woman-as-the-other. In accordance with (BONICCI, 2009) when thinking about the paper of the woman in literature we perceive that it is used aesthetic in the great literary compositions only as vehicles for the growth or salvation of the masculine protagonist.